Usher Launches “Spark Lab”; a creative suite for Atlanta youth innovation

By Jannah Bolds
EIC, The Bold Opinion



Usher’s Laboratory has a very nice ring to it.

‘Spark Lab’, in partnership with Boys & Girls Clubs of Metro Atlanta, is a youth development and engagement effort that sprouted from Usher Raymond IV’s Social Impact Tour. This tour, which kicked off last August in partnership with Boys & Girls Clubs of America and the After School Alliance, has reached over 4,800 youth across 11 cities including Washington, D.C.; Detroit, MI; Philadelphia, PA; Oakland, CA, Houston, TX, Brooklyn, NY and more. 

“​The Spark Lab and Entertainment Industry Club is about providing our youth with the tools, confidence, and opportunities they need to turn their dreams into reality,” said Usher Raymond IV, Chairman of Usher’s New Look. “It’s an honor to help inspire the next generation of leaders and innovators. We are invested in our future. We’re invested in youth and I’m an example,” he added.

ATLANTA, GEORGIA – DECEMBER 09: Usher (C) along with guests cut the blue ribbon during the ribbon cutting ceremony for the Usher Raymond IV Spark Lab at Joseph B. Whitehead Boys & Girls Club on December 09, 2024 in Atlanta, Georgia. (Photo by Paras Griffin/Getty Images for Boys & Girls Club)

The ribbon-cutting ceremony celebrated the 25-year legacy of USHER’s New Look and its unwavering dedication to transforming the lives of under-resourced youth through comprehensive, passion-driven leadership programs. With the Entertainment Industry Club set to launch in 2025, this initiative reaffirms USHER’s ongoing commitment to creating brighter futures for young people nationwide.

“Boys & Girls Clubs of Metro Atlanta is thrilled to announce this year’s much-anticipated launch of the Usher Raymond IV Spark Lab,” said David Jernigan, President & CEO of Boys & Girls Clubs of Metro Atlanta.

“Usher’s Spark Lab will not only be a resource to our Club members, but also a space where they can gain hands-on experiences in fields like music production, filmmaking, photography, and more. This initiative perfectly aligns with our mission to ignite the unlimited potential of kids and teens by creating safe, inclusive, and engaging environments, empowering them to find their spark and pursue their passions.”

Learn More about Usher’s youth development efforts by visiting Ushersnewlook.org.

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Collective action leads to collective uplift

By Broderick Flanigan
Contributor, The Bold Opinion



Now is the time to get organized.

We have the outcomes we have because those who wanted a certain person in office were organized. The 2025 plan is the contemporary pinnacle display of their level of organization and political culture.

I say culture because culture is a powerful tool when used in certain ways. By culture I mean a way of being, language, customs, beliefs, social clubs, etc. I’ve observed this display of cultural values playing out in the southeast as it exalts one group in the spirit of white supremacy and denies freedoms and opportunities to another. The disparities in procurement and the racial/gender wage gaps are prime examples. Redistricting was a chess move we weren’t prepared for.

It is time for us to start thinking of creating the type of communities and society we want to build or create. That’s what our opps have in mind. In the future no matter who’s in office or at what level of government, these should be our main priorities. (Open to well thought out criticism or suggestions) 

We have five points of connection to organize around. 

  1. Labor- Federal jobs guarantee at least $20/h with adequate benefit packages and the new federal minimum wage $15/h including tips for workers. Wage standards on all publicly funded projects include provisions for people harmed during enslavement in the US. 
  2. Reproductive Rights/Healthcare – expanding ObamaCare, Medicare, etc. which are all important to have access to. Restore Roe v Wade. (Includes provisions for people harmed during enslavement in the US.)
  3. Housing – decent, safe, and affordable housing is a human right. Housing affordability is linked to a person’s income so labor and business opportunities for low wage earners should always be connected to this issue. (Includes provisions for people harmed during enslavement in the US).
  4. Education – K-12 education reform and the prioritizing/funding of literacy in early childhood education. Every child should be able to read well. (Includes provisions for people harmed during enslavement in the US.) This includes mandatory political education for the movement as well. (A movement/organizing curriculum needs to be developed or updated to help shape a new culture around organizing)
  5. Immunity – no public official or employee should have immunity from the rule of law. No government action is above human life. No matter who won the election, we needed a guide to political action. No single leader or political candidate will save or do the work for us. Candidates who come for us and from us must take concrete action on the things mentioned here. 

When we build solid cultural practices around these things and move collectively with direct action, policy writing, voting, boycotting etc, we will see change. Organizing is the key. Therefore, now is the time for us to start thinking of creating the type of communities and society we want to build and create for generations to come. 

Asé

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Film Review: ‘The Wild Robot’ Scores 9/10

By John Paul
Writer, The Bold Opinion



Great film with a few downsides.

Oh Dreamworks, if there’s one thing that can be said about them is that the quality of their films is so inconsistent that it’ll always keep you on your toes.

For every “How To Train Your Dragon” they put out, there’s a “Boss Baby”. For every “The Prince Of Egypt” there’s a “Shark Tale”, and that brings us to today. Earlier this year, I found “Kung Fu Panda 4” pretty underwhelming, so how does Dreamworks latest effort, “The Wild Robot” fare?

Based on the book series by Peter Brown, “The Wild Robot” tells the story of a robot named Roz (voiced by Lupita Nyong’o) who washes up on an uninhabited island and must adapt to her surroundings while also learning how to mother an orphaned Goose named Brightbill (voiced by Kit Connor) all while being helped by a Fox named Fink (voiced by Pedro Pascal). So in terms of Dreamworks’ track record of being hit or miss, is this movie the former or the latter? Let’s find out.

The Good

Where to even begin? First and foremost, the performances from the actors deserve nothing but praise. Oftentimes you’ll hear groans from the animation community about celebrity voice actors and that community’s desire for professional voice actors to get cast in major animated films. However, the actors in this film were all perfect fits to their respective characters to the point where I couldn’t even recognize which actors were in which roles until the credits started rolling.

Lupita Nyong’o is the lead and it’s not hard to understand Dreamworks’ decision to cast her as the main character. She starts out as the typical helper robot with no emotion in her voice, kind of like Baymax from “Big Hero 6”, but as the film progresses and Roz begins to evolve beyond her programming, you definitely can hear Nyong’o add more emotion to Roz’s voice. It’s a masterful way to show Roz’s character development. 

Then there’s Fink the fox. If you think Nyong’o gets lost in her role then wait until you hear Pascal’s performance! Pascal is as lovable as the snarky fox. Although he starts off as a slacker using Roz to get easy food, he slowly starts to care for both her and Brightbill as his family. Kit Connor will really make you root for Brightbill, a goose who was born a runt and is now Roz’s adopted son whom she has to teach how to fly before the big geese migration. Some other notable performances include Catherine O’Hara as Pinktail, an opossum who’s pretty much seen it all as a mother, Bill Nighy as Longneck, an elder goose who’s the leader of the migration, and Mark Hamill as Thorn the Bear.

Next, the storyline is one of Dreamworks’ darker films to date. “The Wild Robot” does not shy away from nature’s unforgiveness. As a matter of fact, the tone reminded me of old school Don Bluth movies like “The Land Before Time”. The film bounces between dark humor and seriousness throughout the film by showing predator and prey relations and harsh weather conditions. Yet, at no point do these shifts feel jarring, which shows how amazing of a writer Chris Sanders is. 

Chris Sanders excels at telling compelling narratives of outcasts as we’ve seen with previous films “Lilo and Stitch” and “How To Train Your Dragon” and he once again knocks it out of the park here. It’s often said that even if you’ve seen certain story beats before, what matters most is how you execute those story beats. That proves true here. We’ve seen stories about robots going beyond programming, runts that unexpectedly survive, and outcasts gaining the trust of the community.

Chris Sanders’ writing and direction succeeds by pulling off great character moments through Roz’s personality development, she, Brightbill, and Fink becoming a family, and the main characters learning the true meaning of love. Thus making for a truly heartwarming and action packed tale of becoming more than what the world thought you were meant to be.

Lastly, the animation. You can always count on Dreamworks to have some stellar animation, but the animators truly outdid themselves on this one. The visuals have a painterly look that feels like a storybook come to life. The character animation on Roz is a blast to look at, especially during times when she mimics the movements of some of the other animals on the island or when you see her metallic body slowly being taken over by the elements the longer she’s on the island. From storyline to visuals, there’s a lot to love about this film.

The Bad

There is one thing that isn’t necessarily a detriment, but is definitely the weakest part of the film; the villain. No spoilers here, but the villain, Vontra (voiced by Stephanie Hsu) although menacingly well-performed and designed, unfortunately, gets very little screen time. Seriously, Vontra doesn’t show up until the film’s climax and while she’s the catalyst for a cool final battle scene, she sadly, doesn’t have enough time to be as memorable as other Dreamworks’ previous antagonists. 

This isn’t the only time a Dreamworks villain had little screen time. Death from “Puss In Boots in The Last Wish” wasn’t on screen for very long either but, there, filmmakers used it to their advantage as his presence can be felt throughout the entire movie. Vontra, on the other hand, feels like the villain is completely absent in the movie overall. Honestly, the movie could’ve done just fine without having a villain because of its storyline.

Again, Vontra isn’t a bad character by any means, but is a weak one who needed more time to be memorable.

In conclusion, “The Wild Robot” is not only another home run for Chris Sanders, but in my opinion, is one of Dreamworks’ best films to date. With beautiful animation, emotional and darkly funny script with memorable characters, this is definitely a wild adventure worth seeing on the big screen.

Rating: 9/10

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Header Image Credit: DreamWorks Animation