Tag Archives: Movie Review

Film Review: ‘The Wild Robot’ Scores 9/10

By John Paul
Writer, The Bold Opinion



Great film with a few downsides.

Oh Dreamworks, if there’s one thing that can be said about them is that the quality of their films is so inconsistent that it’ll always keep you on your toes.

For every “How To Train Your Dragon” they put out, there’s a “Boss Baby”. For every “The Prince Of Egypt” there’s a “Shark Tale”, and that brings us to today. Earlier this year, I found “Kung Fu Panda 4” pretty underwhelming, so how does Dreamworks latest effort, “The Wild Robot” fare?

Based on the book series by Peter Brown, “The Wild Robot” tells the story of a robot named Roz (voiced by Lupita Nyong’o) who washes up on an uninhabited island and must adapt to her surroundings while also learning how to mother an orphaned Goose named Brightbill (voiced by Kit Connor) all while being helped by a Fox named Fink (voiced by Pedro Pascal). So in terms of Dreamworks’ track record of being hit or miss, is this movie the former or the latter? Let’s find out.

The Good

Where to even begin? First and foremost, the performances from the actors deserve nothing but praise. Oftentimes you’ll hear groans from the animation community about celebrity voice actors and that community’s desire for professional voice actors to get cast in major animated films. However, the actors in this film were all perfect fits to their respective characters to the point where I couldn’t even recognize which actors were in which roles until the credits started rolling.

Lupita Nyong’o is the lead and it’s not hard to understand Dreamworks’ decision to cast her as the main character. She starts out as the typical helper robot with no emotion in her voice, kind of like Baymax from “Big Hero 6”, but as the film progresses and Roz begins to evolve beyond her programming, you definitely can hear Nyong’o add more emotion to Roz’s voice. It’s a masterful way to show Roz’s character development. 

Then there’s Fink the fox. If you think Nyong’o gets lost in her role then wait until you hear Pascal’s performance! Pascal is as lovable as the snarky fox. Although he starts off as a slacker using Roz to get easy food, he slowly starts to care for both her and Brightbill as his family. Kit Connor will really make you root for Brightbill, a goose who was born a runt and is now Roz’s adopted son whom she has to teach how to fly before the big geese migration. Some other notable performances include Catherine O’Hara as Pinktail, an opossum who’s pretty much seen it all as a mother, Bill Nighy as Longneck, an elder goose who’s the leader of the migration, and Mark Hamill as Thorn the Bear.

Next, the storyline is one of Dreamworks’ darker films to date. “The Wild Robot” does not shy away from nature’s unforgiveness. As a matter of fact, the tone reminded me of old school Don Bluth movies like “The Land Before Time”. The film bounces between dark humor and seriousness throughout the film by showing predator and prey relations and harsh weather conditions. Yet, at no point do these shifts feel jarring, which shows how amazing of a writer Chris Sanders is. 

Chris Sanders excels at telling compelling narratives of outcasts as we’ve seen with previous films “Lilo and Stitch” and “How To Train Your Dragon” and he once again knocks it out of the park here. It’s often said that even if you’ve seen certain story beats before, what matters most is how you execute those story beats. That proves true here. We’ve seen stories about robots going beyond programming, runts that unexpectedly survive, and outcasts gaining the trust of the community.

Chris Sanders’ writing and direction succeeds by pulling off great character moments through Roz’s personality development, she, Brightbill, and Fink becoming a family, and the main characters learning the true meaning of love. Thus making for a truly heartwarming and action packed tale of becoming more than what the world thought you were meant to be.

Lastly, the animation. You can always count on Dreamworks to have some stellar animation, but the animators truly outdid themselves on this one. The visuals have a painterly look that feels like a storybook come to life. The character animation on Roz is a blast to look at, especially during times when she mimics the movements of some of the other animals on the island or when you see her metallic body slowly being taken over by the elements the longer she’s on the island. From storyline to visuals, there’s a lot to love about this film.

The Bad

There is one thing that isn’t necessarily a detriment, but is definitely the weakest part of the film; the villain. No spoilers here, but the villain, Vontra (voiced by Stephanie Hsu) although menacingly well-performed and designed, unfortunately, gets very little screen time. Seriously, Vontra doesn’t show up until the film’s climax and while she’s the catalyst for a cool final battle scene, she sadly, doesn’t have enough time to be as memorable as other Dreamworks’ previous antagonists. 

This isn’t the only time a Dreamworks villain had little screen time. Death from “Puss In Boots in The Last Wish” wasn’t on screen for very long either but, there, filmmakers used it to their advantage as his presence can be felt throughout the entire movie. Vontra, on the other hand, feels like the villain is completely absent in the movie overall. Honestly, the movie could’ve done just fine without having a villain because of its storyline.

Again, Vontra isn’t a bad character by any means, but is a weak one who needed more time to be memorable.

In conclusion, “The Wild Robot” is not only another home run for Chris Sanders, but in my opinion, is one of Dreamworks’ best films to date. With beautiful animation, emotional and darkly funny script with memorable characters, this is definitely a wild adventure worth seeing on the big screen.

Rating: 9/10

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Header Image Credit: DreamWorks Animation

A Symbolism Breakdown of Disney Pixar’s ‘SOUL’

Disney Pixar’s newly released film “Soul” debuted at the end of a divesting and emotional year. A film full of intentional symbolisms to inspire certainly helped me prepare for a meaningful 2021 and beyond. Here are some of the messages I was able to discover and decipher.

Soul Orbs

In this movie, the souls are depicted in an orb-like shape. Of course Disney couldn’t just create an animated film about souls as a simple orb, so they gave the design a bit of personification. (My mom would be proud that I used that term.) However, if you reflect on the movies and shows surrounding paranormal activity, you’ll discover the reference. An intentional reference, at that! “Spirit orbs”, as they’re called, are the ghost-like visuals that appear in random photos, or even physical paranormal sightings. Coincidence, Nah.

22

Twenty-two is a main character in the movie that plays a soul that hasn’t made it down to Earth yet. She’s been in the Great Before for centuries in search of a “purpose” or a reason to live. She’s soul #22, so she’s been hovering around for a long ass time! Nothing seems to excite her in the metaphysical world; not the idea of pizza, playing music, sports, science, nothing. All, of course, because she can’t physically feel anything until she walks a mile in Joe’s shoes on Earth where she gets to experience the little things that make people happy. Things like moments on a crowded subway train, enjoying a savory slice of pizza, deep conversations with friends, clinching beach sang between your toes. You know, the little things that give life meaning.

The Jerrys

In my opinion, the Jerrys are one of the most interesting characters in the film. They were made to be a visual representation of “the coming together of all quantized fields of the universe”, all appearing in two-dimensional stick figure form that we humans can understand. Basically, the universe dumbing itself down to communicate with us. It’s semi insulting, but I get it.

Image Credit: Disney/ Pixar

Unless you’re a quantum physicist, I don’t expect you to think too deeply on this concept of knowledge. Hell, I tried to define the quantum field theory just now and instantly went cross-eyed! I’m not a physicist, I’m a journalist. So for now, just understand that the Jerrys are a visual representation of the one universe. Disney’s Pixar did a great job developing and executing this character and its role in the film. The Jerrys’ purpose is to regulate everything that exists, including helping the souls gain personality traits for their life as Earthlings. The Jerrys have access to everything and every soul that ever existed at all times, even through all dimensions. This quote really hit home for me:

“A spark isn’t a soul’s purpose. Oh, you mentors and your passions. Your purposes. Your meanings of life. So basic.”

It kind of gives you a perspective of the universe itself. Try to wrap your mind around that.

The Fish Tale

Toward the end of the film, the lead character, Joe, finally finds himself in a much anticipated space with Dorthea Williams, a renowned jazz musician. He tells her how unfulfilling he felt after finally playing in the band with her. She goes on to tell him a story about two fish.

SOUL, from left: Dorothea Williams (voice: Angela Bassett), Joe Gardner (voice: Jamie Foxx), 2020. © Disney+ / Courtesy Everett Collection


“I heard this story about a fish who swims up to another older fish and says…
Young Fish: I’m trying to find this thing they call the ocean.
Old Fish: The ocean? That’s what you’re in right now.
Young Fish: This? This is water. What I want is the ocean.

Dorthea then leaves Joe standing to contemplate by himself. PERSPECTIVE is what it’s all about.

Moonwind

Moonwind is an intentionally, significant character in this film that has a deep purpose in his role. He is the “spirit hopper” who has the ability to communicate with souls in the spirit world and on Earth. He’s the weird, quirky Earthling that helps lost souls by guiding them back to their Earth body. Using his meditation methods, he has perfected jumping in and out of “the zone”, which his peers think is what makes him a weirdo.

Image Credit: Disney/ Pixar


We’ve all seen those “weirdos” on the streets, pacing back and forth, talking to animals and inanimate objects. The ones we think are out of touch with reality and can’t make sense of them. Yeah, that’s Moonwind. But maybe, just maybe, the Moonwinds of the world are really the ones who are more connected to the greater universe than you are.

The Zone

Since we’re on the topic of “the zone”, I feel like this is one of the most relatable pieces of this movie. You know how it feels when you lose yourself doing something you really enjoy and everything around you seems to physically blur out? Time escapes you with a feeling of weightlessness. In this film, it’s understood to be somewhat of a portal between the physical and spiritual worlds. Marinate on that one!

Portals

Since we’re on the topic of metaphysicality, I might as well address the ideas behind the use of portals in the film. Disney doesn’t dive too deep on the idea of portals, but they are still significant overall. In Soul, portals are what the souls and the universe energies, AKA Jerrys, use to hop from one place to another. The Earth Portal, The Zone, The Great Before, and The Great Beyond are the only ones that are addressed here. If you’re a believer in the universe, of course, ther have to be many more.

Image Credit: Disney/ Pixar


Overall, this movie was something we all needed to see and hear, especially to end a treacherous year like 2020. It forced the viewer to do a bit of self-reflection during a time where self-reflection was needed and encouraged. It touched me so that I cried my eyes out at the end, nearly bursting at every revealed message. Bravo Disney, Bravo!

“Soul” is available now on Disney+


Seen it already? What would you rate it?

Rating: 1 out of 5.

Movie Review: Happytime Murders 3/5 Stars

By Kevin Thomas
Writer, Contributor 

Mismarketed Puppet Film a Decent Crime Drama, With Raunch

3 out of 5 stars (Average)

The Hapytime Murders is by far the most heavily mismarketed film of 2018.  Advertised as a wild and raunchy comedy, the film is actually a decent crime drama with raunchy humor that showcases that puppets can do far more in movies than sing to your kids.  However, people who want a unique (if flawed) crime drama with some ribald humor will likely be impressed at the immaculate puppetry on display here, along with a solid human cast that plays surprisingly well off of their stuffed cast members.  The Happytime Murders is a good step in legitimizing puppetry as adult entertainment, despite a few bad jokes and some questionable script decisions.  It’s not as good as it could be, but my God, if it couldn’t be a lot worse. Continue reading Movie Review: Happytime Murders 3/5 Stars